Approximately at the same time as the North American porn hydra (Men/Freshmen/2/Unzipped) was publishing all of its models in hues of Agent Orange, there emerged in gratifying backlash 3 domestic studios in the mode of Bel Ami (itself, frequently exhibited by the hydra) -- Chaos in Austin, Corbin Fisher, and Fratmen. The juxtaposition in this gallery (models 6 and 7) portrays this revolution well enough. The consequences were salutary in two respects: the hydra eventually reformed, and greater competition in the marketplace enabled the breakout of diversity, at the very time when Bel Ami was committing itself to the presentation of generic productions, typically in settings reminiscent of an infant's nursery.
Referencing the previous comment, the omission of the other leading studio of the era (Sean Cody) was based on its counter-reformational adoption of the worst tendencies of the hydra and Bel Ami at once - unyieldingly uniform production values, from settings to lighting to model type. The market rewards cliché, but not without resistance.
Approximately at the same time as the North American porn hydra (Men/Freshmen/2/Unzipped) was publishing all of its models in hues of Agent Orange, there emerged in gratifying backlash 3 domestic studios in the mode of Bel Ami (itself, frequently exhibited by the hydra) -- Chaos in Austin, Corbin Fisher, and Fratmen. The juxtaposition in this gallery (models 6 and 7) portrays this revolution well enough. The consequences were salutary in two respects: the hydra eventually reformed, and greater competition in the marketplace enabled the breakout of diversity, at the very time when Bel Ami was committing itself to the presentation of generic productions, typically in settings reminiscent of an infant's nursery.
ResponderEliminarReferencing the previous comment, the omission of the other leading studio of the era (Sean Cody) was based on its counter-reformational adoption of the worst tendencies of the hydra and Bel Ami at once - unyieldingly uniform production values, from settings to lighting to model type. The market rewards cliché, but not without resistance.
ResponderEliminar